The new film Hamnet, directed by Chloe Zhao and adapted from Maggie O’Farrell’s novel, has ignited a critical discussion: is its depiction of a parent’s grief over a child’s death exploitative, or is it a necessary, unflinching portrayal of a rarely discussed experience? The debate stems from the film’s intense focus on the death of 11-year-old Hamnet, Shakespeare’s son, and its presumed connection to the creation of Hamlet.
The Controversy: Grief as Entertainment?
Some critics have labeled Hamnet “grief porn,” accusing it of manipulating emotions for dramatic effect. The film doesn’t shy away from raw pain; Agnes (played by Jessie Buckley) experiences a visceral, screaming reaction to the news of her son’s death, and her grief remains a central force throughout the narrative. This intensity is intentional. The filmmakers appear to resist sanitizing the experience, instead presenting it in its most brutal form.
Why This Matters: The Taboo of Child Loss
The backlash highlights a cultural discomfort with prolonged depictions of extreme pain, especially when it involves the death of a child. Dr. Jessica Zucker, a psychologist specializing in maternal mental health, argues that this discomfort is precisely why such portrayals are important. Child loss is one of the most taboo forms of grief, often relegated to private suffering. Honest depictions like Hamnet can validate bereaved parents by demonstrating that grief is messy, non-linear, and deeply personal.
“These stories remind audiences that grief doesn’t follow a neat arc and that there’s no correct way to mourn.”
Shakespeare’s Legacy and the Power of Art
The film draws a direct line between Shakespeare’s personal tragedy and his art. The filmmakers suggest that Hamlet wasn’t merely a play, but a channeling of grief itself. Hamnet mirrors this by making grief the central subject, not just a catalyst for plot development. Shakespeare’s character (played by Paul Mescal) channels his pain into his writing, but Agnes’ story takes center stage, showing the devastation felt by a mother.
The final act of the film, where Agnes watches a play named after her son, underscores the idea that grief doesn’t disappear, it transforms.
Beyond Sensationalism: Affirmation Through Sorrow
Hamnet isn’t about exploiting tragedy; it’s about refusing to look away from it. The film doesn’t offer neat resolutions or lessons in resilience. It simply presents pain in its full, overwhelming force. While this may not resonate with all viewers, for those who have experienced similar loss, it can be profoundly validating. The film suggests that sometimes, the most honest art isn’t about healing, but about bearing witness to the unbearable.
